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Frank W. Bolle (June 23, 1924 – May 12, 2020) was an American artist, comic book artist and illustrator, best known as the longtime artist of the newspaper strips and The Heart of Juliet Jones; for stints on the comic books and Doctor Solar, Man of the Atom; and as an illustrator for the Boy Scouts of America magazine Boys' Life for 18 years. With an unknown writer, he co-created the masked, comic-book heroine the . Bolle sometimes used the FWB and, at least once, F. L. Blake.


Early life
Frank Bolle was born in Italy and immigrated to the United States at age 5 to join his mother in , New York, although Bolle in adulthood said he was born in Brooklyn. He grew up in that borough with mother Mary and stepfather Egidio "Louie" Covacich. Bolle attended Manhattan's High School of Music & Art, though one standard reference source, attributing its information to Bolle via an intermediary, lists the School of Industrial Art high school. Note: Information "by Frank Bolle via Jim Amash March 2006". From 1943 to 1946, Bolle served in the United States Army Air Force, and after his return from World War II attended on the G.I. Bill, graduating in three years.


Career

1940s and 1950s
Bolle broke into comics in 1943, drawing backgrounds for Funnies Inc., one of a handful of "packagers" that supplied content to publishers entering the fledgling medium of . His first known credits are and two "Terry Vance" detective features for , the precursor of , in Marvel Mystery Comics #47–48 ( Sept.-Oct. 1943). Frank Bolle at the Grand Comics Database. He served in World War II, Frank Bolle at the Lambiek Comiclopedia. Https://www.lambiek.net/artists/b/bolle_frank.htm" target="_blank" rel="nofollow"> Archives from the original on June 9, 2019. Note: Erroneously gives birth date as June 7, 1924. and it is unclear if the small number of Bolle stories that appear in comics from U.S. Camera, Rural Home, and Green Publishing through 1946 were done during the war or were inventory from before his service. His comics output became regular soon afterward with a "Freddy Freshman" story in ' Captain Marvel Jr. #46 (Feb. 1947) and work in Crown Comics from the publisher McCombs from 1947 to 1948. He did additional work for Fawcett, and signed some of his Lev Gleason Publications comics work FWB.

Bolle himself, in an undated interview, conducted no earlier than 1992, did not mention his prewar work when asked about "the first comic book you worked on":

With an unknown writer, Bolle co-created the masked heroine the in Magazine Enterprises' #25 (Sept. 1951). Tim Holt #25 at the Grand Comics Database. Through 1954, he also drew the title feature as well as the backup feature "Redmask", then took over the art for the spinoff series Red Mask, drawing issues #42–53 to (July 1954 – May 1956). Additionally, for , Bolle drew the - feature "Robotman" in #167–179 (Jan. 1951 – Jan. 1952).

From 1955 to 1957, Bolle drew stories in ME's Robin Hood and the subsequent, TV series-based The Adventures of Robin Hood. For ' 1950s forerunner, Atlas Comics, he drew supernatural fantasy stories in the anthologies Mystic, Marvel Tales, , Journey into Mystery and other titles in 1956 and 1957. As well by the mid-1950s, Bolle was illustrating books, including Gene Autry & Champion (1956), and books starring and the . He would later draw for the Choose Your Own Adventure children's book series.

From 1957 to 1961, Bolle began his long career in newspaper , starting as an art assistant, drawing backgrounds, on the Chicago Tribune-New York News Syndicate's daily and Sunday On Stage from 1957 to 1961.


1960s
This briefly overlapped his own Sunday comic strip, the McNaught Syndicate's Children's Tales, which he wrote and drew from 1960 to 1969. He recalled it as "a Sunday page where I illustrated some classics like '' and '' and I did them in three parts so they would appear on three Sundays. And in-between that I would also write original stories, so I wrote about 12 to 15 original stories, then I would switch back and forth from classics to originals." For the same syndicate, he drew the daily and Sunday strip Debbie Deere, "a lonely hearts writer who would get involved in some of the letters she got. I did that for about 4 years," from 1966 to 1969. For the Chicago Tribune-New York News Syndicate, he wrote and drew the strip Quick Quiz from 1964 to 1965. By this time he was also illustrating for magazines, beginning with the men's adventure title Stag from 1961 to 1962.

He used the F. L. Blake for the dust jacket of the 1963 book Picture Parade of Jewish History. Keeping a hand in comic books, Bolle drew the superhero series Doctor Solar, Man of the Atom #6–19 (Nov. 1963 – April 1967) for Western Publishing's Gold Key Comics imprint, and did a small amount of work for , , and .

In 1966, Bolle began a long association with the magazine Boys' Life, drawing numerous comic strips for the glossy monthly publication of the Boy Scouts of America. Through 1981, he drew at different times the strips Bible Stories, Green Bar Bill, Pedro Patrol, Pee Wee Harris, Pool of Fire, Scouts in America, Space Adventures, The Tracy Twins and White Mountains. He did other art as well for the magazine, from 1977 to 1984, and drew an adaptation of 's "" as well as an adaptation of Robert A. Heinlein's "."

From 1965 to 1975, Bolle drew covers for nonfiction paperback books including Baton Twirling, Invitation to Skin and Scuba Diving, Scuba, Spear & Snorkel, Soccer, and Boxing.


1970s–2000s
Two stories he and , and one that he inked over penciler , from the paperback anthology Christopher Lee's Treasury of Terror (, 1966), were reprinted in three 1968 issues of Warren Publications' black-and-white magazine Eerie. Bolle went on to draw new stories published in that magazine and in its sister publication in 1970 and 1971, and in 1973 inked roughly a dozen stories for , including in issues of The Avengers, The Defenders, , and . Throughout the 1970s he also continued to do work for longtime clients and Gold Key Comics (in , Ripley's Believe It or Not!, The Twilight Zone and other titles, including a short return to Doctor Solar, Man of the Atom). Additionally, sometimes under his FWB pseudonym, he also contributed to .

His comic-strip work in the 1970s included drawing the daily and Sunday Alexander Gates (1970–1971); the title character, Bolle said, "was an astrologist, I did that for a couple of years", For Universal Press Syndicate, he drew the trip Best Seller Showcase daily (1977) and Sunday (1977–1978), which included Raise the Titanic, based on the novel; for the same syndicate, he drew Encyclopedia Brown daily and Sunday (1978–1980). He was the uncredited on the daily for King Features Syndicate from 1977 to 1994, and, for one month in 1982, the Sunday for United Feature Syndicate. In an undated interview conducted no earlier than 1992, he said, "Today, I work on the strip — I do some of them. It's funny — I grew up reading, admiring and copying Prince Valiant and today I'm the one penciling them!"

Bolle's last known mainstream penciling and inking for comic books is the cover of Gold Key Comics' Shroud of Mystery #1 (June 1982). He later drew a page for the one-shot benefit comic Strip AIDS U.S.A. (1988) from Last Gasp. He returned to ink the last 31 pages of a 42-page story in Marvel's Captain Marvel vol. 2, #1 (Nov. 1989), over penciler Mark Bright.

In the 1980s and 1990s, Bolle drew and the Sunday and daily Tribune Media Services strip , either from 1982–1996 or, he has said, "for 20 years". He performed those same functions on King Features' The Heart of Juliet Jones from 1989–2000, either for both dailies and Sundays or "just dailies". He lettered Tribune's venerable Annie daily and Sunday strips in the 1980s through 1999, contributing, as well, a small amount of art as a ghost artist. Finally, he did ghost art on Tribune Media's in 1995, 1996 and 2008. Credited, he drew the daily and Sunday North America Syndicate strip Apartment 3-G in 1999. Apartment 3-G official website. Retrieved on December 10, 2015. "By Frank Bolle and Margaret Shulock". Archived from the original on December 10, 2015. He continued with the strip through its finale in November 2015, by which point Bolle was 91.

From 1996 through at least 2009, Bolle did pet illustrations for the Westport Pet Company, as well as commissioned pet portraits, including one that was scheduled to appear in the Walt Disney Pictures movie Old Dogs. He illustrated the 2008 children's book My Cat Merigold by Angelica Joy.

(2025). 9781598585919, Dog Ear Publishing. .

As late as 2004, he was a guest and panelist at San Diego Comic-Con.


Awards
Bolle was one of 10 recipients of the 2003 .


Personal life
As an adult, Bolle lived in Weston, Connecticut, with his wife, Lori. He had two children, daughter Laura and son Frank.

Bolle died May 12, 2020, at the age of 95 and was interred at Willowbrook Cemetery in Westport, Connecticut.


Further reading
  • Strickler, Dave. Syndicated Comic Strips and Artists, 1924–1995: The Complete Index. Cambria, CA: Comics Access, 1995. .


External links
  • Archived from the original on June 6, 2017.

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